Her lean into the pastoral, the everyday and quotidian since Norman has lead to unexpectedly (?) revelatory work from her and I lap it all up so far. Regardless of anything of anything else it absolutely deserves the praise it’s getting. It’s more obviously “patchwork” (despite other albums containing old cuts added onto otherwise new track listings), but it makes it work. She held promotional events at Urban Outfitters, the second largest retailer of vinyl after, all over the U.S, and at the one in Herald Square of New York City, she invited the first 125 shoppers who purchased the Honeymoon. I only compare because everyone seems to be, largely to put Chemtrails in a negative light, which is bizarre to me.īlue Banisters feels less ornate and more free form, which is really arresting. Del Rey has worked actively to promote not only her music but also the physical vinyl copies of her albums. The first three tracks are absolutely stunning, and things like Black Bathing Suit and Sweet Carolina really just pick you up and carry you off to new places… but a couple of the songs don’t feel AS strong on the whole as the Chemtrails tracklisting. I don’t know that I think it’s stronger than Chemtrails, but it does feel markedly different I’m still just digesting it all. All the covers have something I like, but that photo in particular is weirdly majestic.Īnyway, I’ve been silent here so far because I couldn’t get into my account but think this is, unsurprisingly, a gorgeous record. Picked up my Indie Exclusive vinyl today from Assai, I love it.
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